14 246 безкоштовних аудіофайлів для "V Of V V I Progressions"

Donald MacGillavry

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

vi7 as tonic substitute. Created by Hyacinth (talk) 16:17, 14 July 2010 using Sibelius 5.

Bach - Gigue from English Suite no. 1 in A Major, BWV 806, m. 38 MIDI

Muss i denn zum Städtele hinaus

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Interpretation of the early Middle Ages song Drømte mig en drøm i nat Średniowieczna duńska piosenka ludowa Drømte mig en drøm i nat

Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.

German sixth with 6/4 resolution, generated on Sibelius.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

Common-tone diminished seventh chord.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Eight bar blues progression boogie woogie bassline on middle C.

This sound is build from a roland v-synth sample and processed using ableton live effects such as the convolution reverb.

Performed by Mr And Mrs Ernest V Stoneman.

Goodnight to You All

Gwahoddiad - I Am Coming, Lord

Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Example of an altered chord progression in jazz.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.

I Sing a Song of the Saints of God (tune Grand Isle)

03. Nolan Čapek - Fallen Tree

02. Nolan Čapek - Forever

04. Nolan Čapek - Three New Sprouts

05. Nolan Čapek - Dock Thirty-Three

01. Nolan Čapek - Bident Path

Tritone substitution (for V) notated as Italian sixth.

The Girl I Left Behind

I Vow to Thee, My Country

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Chord progression with diminished seventh chords added, without chords added yet.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. It was written by George Henry Powell under the pseudonym of "George Asaf", and set to music by his brother Felix Powell. This is the version sung by Helen Clark.

The sound of a steel ball rolling down a ramp with rubber bands spaced unequally apart. Recorded with my phone, an lg-v30 and trimmed using audacity.

Merrily Merrily

Lovely Evening

Public domain edition of America (My Country 'Tis of 'Thee)

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

I Saw Three Ships - O Come All Ye Faithful performed by the Singing Sergeants of the United States Air Force Band. Track 18 from Light One Candle (2004).

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

Vintage 1976 cloth top vw bug. I searched the database for this sound with no luck. Luckily i had some friends that could help me out. 2 people (my friends terese and jb) opened and closed the cloth top while i sat in the passenger side recording. I used a zoom h6 with the the xyh-6 mic at 24 bit 48k.

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.